| Naslov: | Did I Just See Romeo Commit Suicide? : Meinong and Blaustein on Theater |
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| Avtorji: | ID Jakha, Hicham (Avtor) |
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| Datoteke: |  URL - Izvorni URL, za dostop obiščite https://www.phainomena.com/wp-content/uploads/2025/12/06_E-PHI_134-135_Jakha.pdf
 PDF - Predstavitvena datoteka, prenos (1,55 MB)
MD5: BDD64E67EDC4196774C8CE8917CF91CB
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| Jezik: | Angleški jezik |
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| Tipologija: | 1.01 - Izvirni znanstveni članek |
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| Organizacija: |  INR - Inštitut Nove revije, zavod za humanistiko
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| Povzetek: | I analyze the aesthetic experience of theatergoers in light of Meinong’s “assumptions” and Blaustein’s “imaginative presentations,” taking Brentano’s “universality thesis” as the background of my analyses. I argue that “presentations” and “judgments” go hand in hand, as far as theater experience is concerned. To put forth my main argument, I follow a two-fold line of reasoning: phenomenological and ontological. On the phenomenological level, Blaustein’s imaginative presentations, I argue, are self-sufficient. Nonetheless, on the ontological level, the theater’s represented objects emerge as having a two-sided structure that undermines the phenomenological simplicity of presentations. By characterizing represented objects’ ontology in this manner, I admit Meinong’s assumptions as a fourth class of mental phenomena, and, beyond the frameworks of both Meinong and Blaustein, incorporate judgments into the aesthetic experience of theater. |
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| Ključne besede: | Alexius Meinong, Leopold Blaustein, theater, phenomenology, ontology |
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| Status publikacije: | Objavljeno |
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| Verzija publikacije: | Objavljena publikacija |
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| Datum objave: | 23.12.2025 |
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| Leto izida: | 2025 |
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| Št. strani: | str. 137-161 |
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| Številčenje: | Letn. 34, št. 134/135 |
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| PID: | 20.500.12556/DiRROS-25159  |
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| UDK: | 130.121:111.1 |
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| ISSN pri članku: | 1318-3362 |
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| DOI: | 10.32022/PHI34.2025.134-135.6 |
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| COBISS.SI-ID: | 264414723 |
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| Datum objave v DiRROS: | 15.01.2026 |
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| Število ogledov: | 393 |
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| Število prenosov: | 219 |
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| Metapodatki: |    |
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