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Ključne besede: varstvo gozdov, morfološke analize
Objavljeno v DiRROS: 24.10.2024; Ogledov: 43; Prenosov: 0
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Povzetek: The deep sea, the largest biome on Earth, is the least explored and understood. This lack of knowledge hampers our ability to understand and protect this important environment. In this study, water and sediment samples were collected at different depths in the central Mediterranean (224–780 m), specifically, within the Dohrn Canyon and the Palinuro Seamount, to investigate the diversity of cephalopods and establish a baseline knowledge of their distribution in these sites to preserve their habitats and estimate the impacts of human-driven environmental changes. Key taxa identified included Heteroteuthis sp., Loligo sp., and Histioteuthis sp., which were the most abundant across all sampling stations. A low overlap in species detection was observed between water and sediment samples, confirming previous findings that the typology of environmental matrices used in eDNA metabarcoding has a significant impact on the organisms detected and, therefore, the integrated use of different matrices to better represent local biodiversity is recommended. Furthermore, this study highlights the limitations posed by gaps in reference databases, particularly for deep-sea organisms, and addresses these by emphasising the need for improved multi-marker approaches and expanded reference databases to enhance the accuracy of eDNA-based biodiversity assessment.
Ključne besede: eDNA metabarcoding, cephalopod assemblages, deep-sea biodiversity, Dohrn canyo, environmental matrices, reference databases, Tyrrhenian deep sea, Mediterranean deep sea
Objavljeno v DiRROS: 24.10.2024; Ogledov: 37; Prenosov: 20
Celotno besedilo (1,79 MB)
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Povzetek: Namen prispevka je osvetliti Aristotelovo in Descartesovo razumevanje zmožnosti duše. Takšno razumevanje nam odpira pot v širši razmislek o Aristotelovi in Descartesovi filozofski antropologiji. Besedilo je potemtakem zastavljeno tako, da najprej sledimo Aristotelovemu razumevanju zmožnosti duše. Ob bok temu postavljamo Descartesovo razumevanje, in sicer vedno z ozirom na posamezno duševno zmožnost, ki smo jo izpostavili pri Aristotelu. Zmožnosti duše, ki jih v prispevku obravnavamo, sledijo Aristotelovi delitvi duše na vegetativne, čutno zaznavne in razumske zmožnosti. Izhodišče prispevka je vprašanje povezanosti duše in telesa v Aristotelovi in Descartesovi filozofiji.
Ključne besede: filozofska antropologija, duša, čutno zaznavanje
Objavljeno v DiRROS: 23.10.2024; Ogledov: 39; Prenosov: 8
Celotno besedilo (327,38 KB)

Povzetek: The article rejects the traditional limitation of causality in phenomenology and attempts to demonstrate the mistakes in Edmund Husserl’s arguments for such an understanding, which limited natural causality to the empirical world and confused both natural as well as motivational causality with logical and psychological connections. The specificity of causality is stressed, in order to clarify the main structures of pure consciousness—thought, feeling, and will—as well as to elucidate the mutual irreducibility of connections and interactions between them. Thus, phenomenology altogether can be outlined as being compatible with scientific discipline.
Ključne besede: phenomenology, causality, science, difference between thought and feeling
Objavljeno v DiRROS: 23.10.2024; Ogledov: 39; Prenosov: 9
Celotno besedilo (281,46 KB)

Povzetek: The concept of romantic irony developed by Friedrich Schlegel is one of the most powerful and productive elements of the Jena Romanticism, which, to this day, stirs interest among the researchers of the German culture of the turn of the 18th and 19th centuries. In thus-oriented studies, however, most scholars emphasize the Fragments published by the philosopher in the years 1797–1800, while relegating Lucinde—Schlegel’s controversial novel written in 1799—to the margins of their reflection. Although underappreciated by the academia, Lucinde, in its fundamental assumptions, was supposed to be an exercise in both the theory and the practice of irony. Bearing this in mind, in the present article I attempt to reconstruct Schlegel’s groundbreaking concept by taking into account both these sources. In the analysis, I focus on the notions of dissimulation, dialectics, and reflection: three descriptive categories, which ultimately account for the innovative character of Schlegelian vision of irony.
Ključne besede: romantic irony, dissimulation, dialectics, reflection
Objavljeno v DiRROS: 23.10.2024; Ogledov: 28; Prenosov: 6
Celotno besedilo (302,53 KB)