431. Ortswelt und Weltraum : Eugen Fink und die Philosophie des Ortes im GesprächAnnika Schlitte, 2022, izvirni znanstveni članek Povzetek: Place-World and World-Space. Eugen Fink and Philosophy of Place in Discussion
The article attempts to bring Eugen Fink’s understanding of space into a discussion with newer approaches in phenomenology and hermeneutics, which expressly focus on the notion of place. With regard to the observation that philosophy of place has as yet only scarcely referred to Eugen Fink the question arises how could it profit from a confrontation with Fink’s cosmology. Upon an introductory deliberation concerning some of the fundamentals of Edward Casey’s and Jeff Malpas’s philosophy of space, we elaborate the central aspects of Fink’s comprehension of space, in order to accentuate the common characteristics and differences between his understanding and the recent research orientation. By contrasting in this manner Fink’s cosmological thinking with the topological thinking of the philosophy of space, can with the inclusion of Fink’s notion of anthropological and social spatiality a research field be outlined, which could impart onto philosophy of place a potential practical dimension.
Ključne besede: space, place, world, cosmology, topology
Objavljeno v DiRROS: 25.10.2024; Ogledov: 151; Prenosov: 36
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432. Dem Horizont entgegen : Die kosmische Welt bei Fink und BarbarasIstván Fazakas, 2022, izvirni znanstveni članek Povzetek: Towards the Horizon. The Cosmic World in Fink and Barbaras
In this paper, I investigate Fink’s cosmological phenomenology based on a reading of Welt und Endlichkeit and Sein und Mensch in contrast with new developments of Renaud Barbaras’s phenomenology of the world. First, I focus on an opposition between the understanding of the world as a horizon and the cosmological world beyond any horizontality. I then show how the description of the elemental dimension of the world functions for Fink as a path leading to a pure cosmological thought. By doing so, I highlight an amphibology between the understanding of the cosmic world as space and/or matter that is implicit both in Fink and in new elaborations of Barbaras, especially in L’appartenance (2019).
Ključne besede: world, horizon, elements, space, matter
Objavljeno v DiRROS: 25.10.2024; Ogledov: 121; Prenosov: 40
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435. Parentheses of Reception : What Are Philologists for in a Destitute Time?John T. Hamilton, 2022, izvirni znanstveni članek Povzetek: The encounter between received poetic traditions and rational critique appears to characterize reception itself as an interruption. The tradition impinges on present discourse and calls for an evaluation in terms of the present. Regarded as such, reception requires a translation that would negotiate the relationship. The consequence of formulating the question of reception in this way is that the received past subsists parenthetically, inserted into the present while remaining somehow apart from the present. An especially provocative illustration of the disruptive and parenthetic nature of reception, including the strategies of translation that it instigates, can be found in the life and work of Martin Heidegger who, perhaps more than any other philosopher of the twentieth century, persistently reflected on the interchange between poetic tradition and thinking.
Ključne besede: translation, tradition, reception, parenthesis, M. Heidegger
Objavljeno v DiRROS: 25.10.2024; Ogledov: 131; Prenosov: 37
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436. Zur Nähe von Denken und Dichten beim frühen Heidegger : Eine SpurensucheHolger Zaborowski, 2022, izvirni znanstveni članek Povzetek: On Proximity of Thinking and Poetizing in Early Heidegger. A Search for Traces
The paper discusses the question of the role of the relationship between thinking and poetizing, which is of immense importance for Heidegger’s late work, in his early hermeneutics of facticity. Heidegger’s early thinking is denoted with the search for the unconditionality of factical life in its historicity that cannot be comprehended neither under the conditions of a worldview nor of a strict science in Husserl’s sense. In his search, he continually encounters the realms of art and poetry, which he experiences as fundamental points of orientation. Although Heidegger does not expressly reflect upon them, such experiences of the proximity of thinking and poetizing did leave traces in his lectures.
Ključne besede: Martin Heidegger, hermeneutics, facticity, thinking, poetry
Objavljeno v DiRROS: 25.10.2024; Ogledov: 124; Prenosov: 43
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437. Martin Heidegger und Georg Trakl : Die andere Zwiesprache zwischen Denken und DichtenAlfred Denker, 2022, strokovni članek Povzetek: Martin Heidegger and Georg Trakl. The Other Conversation between Thinking and Poetizing
In the paper, I develop some thoughts on the relationship between thinking and poetizing on the basis of Heidegger’s understanding of Georg Trakl’s poetry. I attempt to appropriately illuminate Heidegger’s interpretation in two steps: first through a discussion of Trakl’s poem “Ein Winterabend” (“A Winter Evening”) and subsequently through a contemplation on Trakl’s “Nachtgesang” (“nightly song”). The poet sings and the thinker can only contemplate upon his poetry. Of central importance are the question about the calling of the poet, whereby he calls being forth, and about the human mortality. Where can hope still be found in an era of the gods who have fled?
Ključne besede: Martin Heidegger, Georg Trakl, poetry, contemplation, essence of man, gods who have fled
Objavljeno v DiRROS: 25.10.2024; Ogledov: 117; Prenosov: 39
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438. The Eternal (Re)Turn : Heidegger and the “Absolutes Getragensein” of MythJafe Arnold, 2022, izvirni znanstveni članek Povzetek: This article aims to initiate the retrieval of Martin Heidegger’s thinking on myth. Beginning with a reflection on the dilemmas and precedents of approaching myth, this paper turns to an extensive review of Heidegger’s major, explicit treatments of mythology, the philosophy of myth, and mythos, ranging from the “mythical Dasein” of Being and Time and his review of Ernst Cassirer’s Mythical Thought to the implicated hermeneutics of mythos in Heidegger’s later ancient Greek lectures. On the basis of such a panoramic excavation with interspersed commentary, it is argued that Heidegger not only increasingly intimated a particular significance for the (re)consideration of myth, but ultimately approached myth in no less than the light of the disclosure of Being. Thus, this article lays the preliminary groundwork to serve further inquiry into myth per/in Heidegger.
Ključne besede: E. Cassirer, M. Heidegger, hermeneutics, myth, mythology
Objavljeno v DiRROS: 25.10.2024; Ogledov: 153; Prenosov: 35
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439. On Home (das Heim) and the Uncanny (das Unheimliche) in HeideggerMateja Kurir-Borovčić, 2022, izvirni znanstveni članek Povzetek: The paper aims to argue that the question of home (das Heim) is one of the crucial elements of Martin Heidegger’s philosophy, which has been tackled by the German philosopher throughout his lifework in close connection to its opposition, namely the uncanny (das Unheimliche). The paper discusses the different understandings of home in Heidegger’s philosophy starting from the seminal works, such as Being and Time (1927) and Introduction to Metaphysics (1935), as well as Hölderlin’s Hymn “The Ister” (1942) and “Letter on Humanism” (1946) including “Building Dwelling Thinking” (1951). In his argumentation on the topic from 1935 onwards, Heidegger developed the question of home within the hermeneutical analysis of Sophocles’s Antigone, specifically the first verse of the famous choral song and the term δεινόν. In the conclusion, the standpoints of Jacques Derrida and David Farrell Krell on the subject are confronted, in order to discuss the paradoxical structure of the topic of home in Heidegger’s philosophy and, more generally, within philosophy of architecture.
Ključne besede: philosophy, home, uncanny, Heidegger, Antigone
Objavljeno v DiRROS: 25.10.2024; Ogledov: 165; Prenosov: 50
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440. The Gadamer–Habermas Debate through Mahabharata’s Women : Intersectional Feminist Engagements with Tradition and CritiqueKanchana Mahadevan, 2022, izvirni znanstveni članek Povzetek: Despite their affinities in criticizing the Cartesian subject, contextualizing texts, and upholding dialogue as integral to interpretation, there are differences between the hermeneutic projects of Gadamer and Habermas. While Gadamer emphasizes real dialogue and continuity with tradition, Habermas highlights ideal communication and critical distance. With regard to the underexplored feminist intervention in their debate, it can be said that there are greater affinities between feminist thought and Gadamer arising from their commitment to historically situated thought. But the vantage position of tradition in Gadamer has generated its set of feminist apprehensions. The paper scrutinizes the consequences of intervening in the Gadamer–Habermas debate on the hermeneutics of tradition from a feminist perspective. Analyzing women characters in the Indian epic Mahabharata, it argues that the intersectionality between their gendered identity and varied social locations of class and caste leads to diverse feminist perspectives. In conclusion, the paper ponders over whether they are all equally critical and the extent to which they can be reconciled.
Ključne besede: hermeneutics, critique, feminism, dialogue, tradition, Gadamer, Habermas, Mahasweta Devi, Mahabharata
Objavljeno v DiRROS: 25.10.2024; Ogledov: 121; Prenosov: 32
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