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Title:Music and the gendered image in Handel’s La Bellezza ravveduta nel trionfo del Tempo e del Disinganno (1707), its later reworkings and contemporary stagings
Authors:ID Ćurković, Ivan (Author)
Files:URL URL - Source URL, visit https://ojs.zrc-sazu.si/dmd/article/view/14912
 
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MD5: 2132671D4106B495E059364D97376043
 
Language:English
Organization:Logo ZRC SAZU - The Research Centre of the Slovenian Academy of Sciences and Arts
Abstract:George Frideric Handel’s oratorio La Bellezza ravveduta (1707) and its two later reworkings, Il trionfo del Tempo e della Verità (1737) and The Triumph of Time and Truth (1757), differ in musical content and in how the allegorical characters are coded in terms of gender. A comparative analysis showcases their wide interpretative range in selected twenty-first-century stagings.
Keywords:George Frideric Handel, oratorio, emblem, theatre, Il trionfo del Tempo e del Disinganno
Publication status:Published
Publication version:Version of Record
Publication date:13.11.2025
Year of publishing:2025
Number of pages:str. 243-272
Numbering:letn. 21, št. 1
PID:20.500.12556/DiRROS-27603 New window
UDC:783.3:305:929Händel G. F.
ISSN on article:1854-3405
DOI:10.3986/dmd21.1.07 New window
COBISS.SI-ID:268483075 New window
Copyright:Imetniki avtorskih pravic na prispevkih so avtorji
Publication date in DiRROS:15.02.2026
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Downloads:6
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Record is a part of a journal

Title:De musica disserenda
Publisher:Muzikološki inštitut ZRC SAZU
ISSN:1854-3405
COBISS.SI-ID:222620160 New window

Licences

License:CC BY-SA 4.0, Creative Commons Attribution-ShareAlike 4.0 International
Link:http://creativecommons.org/licenses/by-sa/4.0/
Description:This Creative Commons license is very similar to the regular Attribution license, but requires the release of all derivative works under this same license.
Licensing start date:13.11.2025
Applies to:VoR

Secondary language

Language:Slovenian
Title:Glasba in ospoljenost podob v Händlovem oratoriju La Bellezza ravveduta nel trionfo del Tempo e del Disinganno (1707), njegove predelave in sodobne uprizoritve
Abstract:Oratorij La Bellezza ravveduta (1707) Georga Friedricha Händla se od njegovih poznejših predelav – Il trionfo del Tempo e della Verità (1737) in The Triumph of Time and Truth (1757) – razlikuje tako po glasbeni vsebini kot tudi glede na to, kako so alegorični liki kodirani v smislu spola. Primerjalna analiza razkriva širok interpretativni razpon teh del v izbranih gledaliških uprizoritvah 21. stoletja.
Keywords:Georg Friedrich Händel, oratorij, emblem, gledališče, Il trionfo del Tempo e del Disinganno


Collection

This document is a part of these collections:
  1. De musica disserenda

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