A national musical heroine at the margins of concert life : the case of Dora Pejačević

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Title:	A national musical heroine at the margins of concert life : the case of Dora Pejačević
Authors:	ID Kričevcov Maričić, Nataša (Author)
Files:	URL - Source URL, visit https://ojs.zrc-sazu.si/dmd/article/view/14909 PDF - Presentation file, download (532,70 KB) MD5: 50969177AF76F6D7D5FFD0BD96E6CD48
Language:	English
Organization:	ZRC SAZU - The Research Centre of the Slovenian Academy of Sciences and Arts
Abstract:	This article explores the political context that has been overlooked in the reception of Dora Pejačević’s oeuvre. It argues that the historical and contemporary marginalization of her work reflects broader patterns in Croatian musical historiography that have excluded women’s musical production from concert stages and scholarly discourse.
Keywords:	Dora Pejačević, glasbena produkcija žensk, hrvaška glasbena kritika, hrvaška glasbena historiografija, zgodovina recepcije
Publication status:	Published
Publication version:	Version of Record
Publication date:	13.11.2025
Year of publishing:	2025
Number of pages:	str. 123-153
Numbering:	letn. 21, št. 1
PID:	20.500.12556/DiRROS-27600
UDC:	78.071.1:929Pejačević D.
ISSN on article:	1854-3405
DOI:	10.3986/dmd21.1.04
COBISS.SI-ID:	268481283
Copyright:	Imetniki avtorskih pravic na prispevkih so avtorji
Publication date in DiRROS:	15.02.2026
Views:	9
Downloads:	5
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Title:	De musica disserenda
Publisher:	Muzikološki inštitut ZRC SAZU
ISSN:	1854-3405
COBISS.SI-ID:	222620160

License:	CC BY-SA 4.0, Creative Commons Attribution-ShareAlike 4.0 International

Link:	http://creativecommons.org/licenses/by-sa/4.0/
Description:	This Creative Commons license is very similar to the regular Attribution license, but requires the release of all derivative works under this same license.
Licensing start date:	13.11.2025
Applies to:	VoR

Language:	Slovenian
Title:	Nacionalna glasbena junakinja na obrobju koncertnega življenja : primer Dore Pejačević
Abstract:	Članek raziskuje politične okoliščine, ki so bile doslej spregledane pri recepciji glasbenega opusa Dore Pejačević. Ugotavlja, da je pretekla in sedanja marginalizacija njenega dela odraz hrvaške glasbene historiografije, ki je glasbeno produkcijo žensk izključila iz koncertnih odrov in znanstvenega diskurza.
Keywords:	glasbena produkcija žensk, hrvaška glasbena kritika, hrvaška glasbena historiografija, zgodovina recepcije

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