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Title:Soulages, Richter, and others : Abstract stained-glass windows performing in medieval sacral monuments as a universal language for strategic public commissions from the 1960s to 2000s
Authors:ID Rusinko, Marcela (Author)
Files:URL URL - Source URL, visit https://ojs.zrc-sazu.si/ahas/article/view/15028/12818
 
.pdf PDF - Presentation file, download (4,89 MB)
MD5: 8D0593A37FB814B02C9CF87942B48B02
 
Language:English
Typology:1.01 - Original Scientific Article
Organization:Logo ZRC SAZU - The Research Centre of the Slovenian Academy of Sciences and Arts
Abstract:This study explores how modern abstract stained-glass interventions can profoundly transform the atmosphere and meaning of medieval sacred monuments, imbuing them with new layers of spiritual, aesthetic, and collective identity. Focusing on non-figurative works by the renowned artists Pierre Soulages (Saint Faith’s Church in Conques, France), Gerhard Richter (Cologne Cathedral in Germany), and Stanislav Libenský and Jaroslava Brychtová (Saint Vitus’s Cathedral in Prague, Czech Republic), the research investigates how such interventions reinterpret tradition through contemporary visual language. It considers the performative and symbolic potency of these artworks, examining the intent of both their artists and commissioners, and how these projects reflect broader ideological contexts of a politically divided world and its aftermath. Ultimately, the study probes the unique resonance between medieval and modern artistic expression, revealing how abstract stained glass can serve as a spiritually and socially legitimizing force within historically layered sacred spaces.
Keywords:abstract stained glass, medieval monuments, commodification of art, Pierre Soulages, St-Foy de Conques, Gerhard Richter, Saint Peter Cathedral in Cologne, Stanislav Libenský and Jaroslava Brychtová, Saint Wenceslas Chapel in Saint Vitus Cathedral Prague
Publication status:Published
Publication version:Version of Record
Publication date:23.12.2025
Year of publishing:2025
Number of pages:str. 119-152
Numbering:letn. 30, št. 2
PID:20.500.12556/DiRROS-27251 New window
UDC:748.5(4):75.038"19"
ISSN on article:1408-0419
DOI:10.3986/ahas.30.2.04 New window
COBISS.SI-ID:265825283 New window
Copyright:Imetniki avtorskih pravic na prispevkih so avtorji
Publication date in DiRROS:31.01.2026
Views:129
Downloads:53
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Record is a part of a journal

Title:Acta historiae artis Slovenica
Shortened title:Acta hist. artis Slov.
Publisher:Znanstvenoraziskovalni center Slovenske akademije znanosti in umetnosti, Umetnostnozgodovinski inštitut Franceta Steleta
ISSN:1408-0419
COBISS.SI-ID:64217856 New window

Document is financed by a project

Funder:EC - European Commission
Funding programme:H2020
Project number:101007770
Name:Conques in the Global World. Transferring Knowledge: from Material to Immaterial Heritage
Acronym:CONQUES

Licences

License:CC BY 4.0, Creative Commons Attribution 4.0 International
Link:http://creativecommons.org/licenses/by/4.0/
Description:This is the standard Creative Commons license that gives others maximum freedom to do what they want with the work as long as they credit the author.
Licensing start date:23.12.2025
Applies to:VoR

Secondary language

Language:Slovenian
Title:Soulages, Richter in drugi : Abstraktna vitražna okna v srednjeveških sakralnih spomenikih kot univerzalni jezik za strateška javna naročila 1960–2010
Abstract:V raziskavi ugotavljamo, kako lahko sodobne abstraktne vitražne intervencije globoko spremenijo vzdušje in pomen srednjeveških sakralnih spomenikov ter jim dodajo nove plasti duhovne, estetske in kolektivne identitete. Z osredotočanjem na nefigurativna dela priznanih umetnikov, kot so Pierre Soulages (opatijska cerkev Sainte-Foy v Conquesu, Francija), Gerhard Richter (katedrala v Kölnu, Nemčija) ter Stanislav Libenský in Jaroslava Brychtová (katedrala sv. Vida, Praga), v raziskavi proučujemo, kako takšni posegi ponovno interpretirajo tradicijo s sodobnim vizualnim jezikom. Obravnavamo performativno in simbolno moč teh umetniških del, proučujemo namene umetnikov in naročnikov ter razlagamo, kako njihovi projekti odražajo širše ideološke kontekste politično razdeljenega sveta in njegove razsežnosti. Končno v raziskavi proučujemo tudi edinstveno resonanco med srednjeveškim in sodobnim umetniškim izrazom ter razkrivamo, kako lahko abstraktno vitražno steklo služi kot duhovna in družbena legitimizacija v zgodovinsko večplastnih sakralnih prostorih.
Keywords:abstraktna vitražna okna, srednjeveški spomeniki, komodifikacija umetnosti, Pierre Soulages, St-Foy de Conques, Gerhard Richter, katedrala sv. Petra v Kölnu, Stanislav Libenský in Jaroslava Brychtová, kapela sv. Venceslava v katedrali sv. Vida v Pragi


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  1. Acta historiae artis Slovenica

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