Digital repository of Slovenian research organisations

Show document
A+ | A- | Help | SLO | ENG

Title:The Imaginative Work of Art and Its Way of Manifestation
Authors:ID Blaustein, Leopold (Author)
ID Borek, Filip (Translator)
Files:URL URL - Source URL, visit https://www.phainomena.com/wp-content/uploads/2025/12/16_E-PHI_134-135_Blaustein-6.pdf
 
.pdf PDF - Presentation file, download (1,41 MB)
MD5: 298F61C88DFAC5A797C3D8AB0979704A
 
Language:English
Typology:1.04 - Professional Article
Organization:Logo INR - Institute Nova Revija for the Humanities
Abstract:The text distinguishes three modes of aesthetic presentation: perceptual, imaginative, and signitive, with a particular focus on analyzing the imaginative mode of manifestation of a work of art in contrast to the other two. In the case of imaginative perception, there are three objects to be distinguished: depicting, imaginative, and depicted objects. Unlike the object of simple sensory perception, which exists within the spatiotemporal reality of the observer, the imaginative object does not appear in this reality. Instead, it exists as something quasi-real rather than genuinely real. The text argues that imaginative perception differs not only from simple sensory perception, but also from signitive perception—such as the perception of literary work of art, which renders its proper object in a non-intuitive way.
Keywords:aesthetic experience, aesthetic perception, sensory perception, imaginative presentation, signitive perception
Publication status:Published
Publication version:Version of Record
Publication date:23.12.2025
Year of publishing:2025
Number of pages:str. 365-370
Numbering:Letn. 34, št. 134/135
PID:20.500.12556/DiRROS-25220 New window
UDC:159.9
ISSN on article:1318-3362
COBISS.SI-ID:264551939 New window
Publication date in DiRROS:19.01.2026
Views:227
Downloads:86
Metadata:XML DC-XML DC-RDF
:
Copy citation
  
Share:Bookmark and Share


Hover the mouse pointer over a document title to show the abstract or click on the title to get all document metadata.

Record is a part of a journal

Title:Phainomena : [glasilo Fenomenološkega društva v Ljubljani
Shortened title:Phainomena
Publisher:Fenomenološko društvo [etc.], Fenomenološko društvo [etc.], Nova revija, Inštitut Nove revije - Zavod za humanistiko
ISSN:1318-3362
COBISS.SI-ID:29705216 New window

Document is financed by a project

Funder:ARIS - Slovenian Research and Innovation Agency
Project number:P6-0341-2022
Name:Humanistika in smisel humanosti v vidikih zgodovinskosti in sodobnosti

Funder:ARIS - Slovenian Research and Innovation Agency
Project number:I0-0036-2022
Name:Center za promocijo humanistike Inštituta Nove revije

Licences

License:CC BY 4.0, Creative Commons Attribution 4.0 International
Link:http://creativecommons.org/licenses/by/4.0/
Description:This is the standard Creative Commons license that gives others maximum freedom to do what they want with the work as long as they credit the author.

Secondary language

Language:Slovenian
Title:Domišljijska umetnina in način njene danosti
Abstract:Besedilo razlikuje tri moduse estetske prezentacije: perceptivnega, imaginativnega in signitvnega, pri čemer se z vidika kontrasta z drugima dvema posebej osredotoča na analizo imaginativnega modusa manifestacije umetnine. V primeru imaginativne zaznave je potrebno razlikovati tri predmete, in sicer: prikazujoči, imaginativni in prikazani predmet. V nasprotju s predmetom preproste čutne zaznave, ki obstaja znotraj časovno-prostorske resničnosti opazovalca, se imaginativni predmet ne prikazuje v njej. Namesto tega obstaja, ne kot nekaj dejansko resničnega, temveč kot nekaj kvaziresničnega. Besedilo zagovarja mnenje, da se imaginativna zaznava ne razlikuje zgolj od preproste čutne zaznave, temveč tudi od signitivne zaznave, kakor je to tudi pri zaznavanju literarne umetnine, ki svoj pravi predmet predoča na neintuitiven način.
Keywords:estetsko izkustvo, estetska zaznava, čutna zaznava, domišljijsko predstavljanje, signitivna zaznava


Back