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Title:On the Perception of the Radio Play
Authors:ID Blaustein, Leopold (Author)
ID Jakha, Hicham (Translator)
Files:URL URL - Source URL, visit https://www.phainomena.com/wp-content/uploads/2025/12/19_E-PHI_134-135_Blaustein-9.pdf
 
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Language:English
Typology:1.02 - Review Article
Organization:Logo INR - Institute Nova Revija for the Humanities
Abstract:Blaustein explores the phenomenon of listening to the radio play. The idea put forth by the author is that the radio play engages perception, treating the latter in a broad sense. Perception is not necessarily restricted to seeing; rather, it is understood as being cross-modal, as involving different senses. The main sense involved in the case of radio plays is hearing, which enables one to listen to the radio. Radio listeners are drawn into radio plays as media of hearing. Instead of vision, listeners engage their “acousion,” a term coined by Blaustein to capture the perceptual distinctness of hearing; acousion is the auditive perception of radio plays. Listening to a radio play is a lived experience or a psychic phenomenon, precisely due to the activeness of acousion. Listeners do not only passively perceive or hear auditive data. They also engage their imaginative faculties, presenting to themselves, mentally, the world of the action; by so doing, listeners enable the act of listening. According to Blaustein, presentations, even imaginative ones, are basic. By listening to a radio play, the listener imaginatively presents the world of the action to themselves, as if they were watching a theater play. However, going beyond the realm of presentations, other factors are examined, e.g., the listener’s focus is turned into the world represented—the world within—, which is given to them via auditive data and dialogue.
Keywords:perception, hearing, listening, aesthetic experience, radio play, imagination
Publication status:Published
Publication version:Version of Record
Publication date:23.12.2025
Year of publishing:2025
Number of pages:str. 397-467
Numbering:Letn. 34, št. 134/135
PID:20.500.12556/DiRROS-25216 New window
UDC:159.9:1
ISSN on article:1318-3362
COBISS.SI-ID:264579587 New window
Publication date in DiRROS:19.01.2026
Views:209
Downloads:85
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Record is a part of a journal

Title:Phainomena : [glasilo Fenomenološkega društva v Ljubljani
Shortened title:Phainomena
Publisher:Fenomenološko društvo [etc.], Fenomenološko društvo [etc.], Nova revija, Inštitut Nove revije - Zavod za humanistiko
ISSN:1318-3362
COBISS.SI-ID:29705216 New window

Document is financed by a project

Funder:ARIS - Slovenian Research and Innovation Agency
Project number:P6-0341-2022
Name:Humanistika in smisel humanosti v vidikih zgodovinskosti in sodobnosti

Funder:ARIS - Slovenian Research and Innovation Agency
Project number:I0-0036-2022
Name:Center za promocijo humanistike Inštituta Nove revije

Licences

License:CC BY 4.0, Creative Commons Attribution 4.0 International
Link:http://creativecommons.org/licenses/by/4.0/
Description:This is the standard Creative Commons license that gives others maximum freedom to do what they want with the work as long as they credit the author.

Secondary language

Language:Slovenian
Title:O zaznavanju radijske igre
Abstract:Blaustein obravnava fenomen poslušanja radijske igre. Predstavi idejo, da radijska igra zadeva zaznavanje v širokem smislu. Zaznavanje se namreč ne omejuje samo na gledanje, temveč je multimodalno, vključuje različne čute. Poglavitni čut v primeru radijske igre je sluh, ki nam omogoča, da prisluhnemo radiu. Poslušalce radijske igre pritegnejo kot mediji sluha. Namesto vida je nagovorjena poslušalčeva »akuzija«; Blaustein têrmin vpelje zato, da bi opredelil zaznavano posebnost sluha: akuzija je avditivna zaznava radijske igre. Poslušanje radijske igre je izkustvo oziroma psihični fenomen natanko zaradi aktivnosti akuzije. Ne gre za to, da bi poslušalci samo pasivno sprejemali avditivne podatke. Spodbujene so tudi njihove imaginativne sposobnosti; sami sebi mentalno predstavljajo svet dogajanja in tako omogočajo dejanje poslušanja. Po Blausteinu so namreč predstave, tudi imaginativne, temeljnega pomena. Ko posluša radijsko igro, si poslušalec imaginativno predstavlja svet dogajanja, kakor da bi gledal gledališko predstavo. Onkraj okrožja predstav Blaustein obravnava tudi druge dejavnike, npr.: poslušalec se osredotoča na predstavljeni svet – svet znotraj igre –, ki se mu daje s pomočjo avditivnih podatkov in dialogov.
Keywords:zaznavanje, sluh, poslušanje, estetsko izkustvo, radijska igra, domišljija


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