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Title:Hamlet and the Philosophical Interpretation of Literature
Authors:ID Franke, William (Author)
Files:.pdf PDF - Presentation file, download (379,10 KB)
MD5: 1EC8518DB587B1A3FC111AF41A49A03E
 
Language:English
Typology:1.01 - Original Scientific Article
Organization:Logo INR - Institute Nova Revija for the Humanities
Abstract:The huge tradition of philosophical readings of Hamlet is focused here on the theme of unknowing as crucial to Shakespeare’s epistemology. In contrast with the rising paradigm of experimental science, which Hamlet and fellow student Horatio bring into the play and which informs even the method employed for proving the guilt of the king, Hamlet dramatizes the advent of a new model of unknowing knowing by faith in “providence.” This constitutes a transformation of an older paradigm of prophetic knowledge by revelation, which comes to Hamlet in the form of the ghost of his father, a figure arousing doubt rather than certainty, and hesitation rather than action. With Hamlet’s blind trust in what he calls “providence,” the metaphysical order is no longer an object of knowledge, and yet it can ground belief and can still guide a kind of action that proves finally to be efficacious, even if tragic. Philosophical readings by Cutrofello, Critchley, Pascucci, Lukacher, and others are shown to line up with this non-objective kind of knowing, or more exactly unknowing, which nevertheless renews a kind of prophetic dimension of revelation in poetic language.
Keywords:prophecy, apophasis, modern thought, negative poetics
Publication status:Published
Publication version:Version of Record
Publication date:23.06.2022
Year of publishing:2022
Number of pages:str. 213-229
Numbering:Letn. 31, št. 120/121
UDC:821.163.6.09-1
ISSN on article:1318-3362
DOI:10.32022/PHI31.2022.120-121.9 New window
COBISS.SI-ID:119791107 New window
Publication date in DiRROS:25.10.2024
Views:29
Downloads:10
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Record is a part of a journal

Title:Phainomena : [glasilo Fenomenološkega društva v Ljubljani
Shortened title:Phainomena
Publisher:Fenomenološko društvo [etc.], Fenomenološko društvo [etc.], Nova revija, Inštitut Nove revije - Zavod za humanistiko
ISSN:1318-3362
COBISS.SI-ID:29705216 New window

Licences

License:CC BY 4.0, Creative Commons Attribution 4.0 International
Link:http://creativecommons.org/licenses/by/4.0/
Description:This is the standard Creative Commons license that gives others maximum freedom to do what they want with the work as long as they credit the author.

Secondary language

Language:Slovenian
Title:Hamlet in filozofska interpretacija literature
Abstract:Znotraj obsežne tradicije filozofskih branj Hamleta se pričujoči članek osredotoči na témo nevédenja kot bistveno za Shakespearovo epistemologijo. V nasprotju z razraščajočo se paradigmo eksperimentalne znanosti, kakršno v igro pritegneta Hamlet in njegov študentski prijatelj Horacij in kakršna navdihuje celo metodo, uporabljeno za dokaz kraljeve krivde, Hamlet dramatizira nastop novega modela nevedočega védenja s pomočjo vere v »previdnost«. To konstituira transformacijo starejše paradigme preroškega védenja s pomočjo razodetja, kakršno se Hamletu prikazuje v obliki duha njegovega očeta, osebe, ki namesto gotovosti spodbuja dvom in namesto delovanja obotavljanje. S Hamletovim slepim zaupanjem v tisto, kar sam imenuje »previdnost«, metafizični red ni več objekt védenja, a vseeno lahko utemeljuje verovanje in vodi nekakšno delovanje, ki se nazadnje izkaže za učinkovito, četudi tragično. Prispevek ponazarja, da se filozofska branja Cutrofella, Critchleyja, Pascuccija, Lukacherja in drugih ujemajo s takšno ne-objektivno vrsto védenja oziroma, natančneje, z nevédenjem, ki kljub vsemu obnavlja preroško razsežnost razodetja v pesniški govorici
Keywords:prerokba, apofaza, moderna misel, negativna poetika


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