Show document

A+ | A- | | SLO | ENG

Title: Spektakel in čas v sodobni filozofiji Authors: ID Vuger, Dario (Author) ID Koželj, Alenka (Translator) Files: PDF - Presentation file, download (368,72 KB) MD5: F09018EDDF8E55AA6CA674DCFB5C384F   Language: Slovenian Typology: 1.01 - Original Scientific Article Organization: INR - Institute Nova Revija for the Humanities Abstract: S pomočjo zgodovinske in fenomenološke analize želimo v pričujoči študiji centralizirati raziskovanje fenomena spektakla kot pomembnega predmeta sodobne filozofije. Pojem spektakla proučujemo na podlagi zgodovinskega razvoja modernega pojmovanja časa kot enega izmed osrednjih vprašanj sodobne filozofije ter tudi kot osrednjega pojma za razumevanje sodobne znanosti, kulture in družbe kot celote. Znotraj sodobne kontinentalne filozofske tradicije je namreč koncept časa tesno povezan s pojmi prisotnosti, percepcije in mediacije. Filozofska razprava med Henrijem Bergsonom in Albertom Einsteinom je pojma spektakel in čas pripeljala v neposredno povezavo kot del novega konceptualnega okvira sodobne filozofije. Tedaj se je prvič pokazalo, da ima znanost bistveno vrednost za konstrukcijo sodobnega življenja. Nadaljnjemu razvoju sledimo z razpiranjem filozofskega in kibernetičnega okvira za vzpostavitev filozofskega odnosa do spektakla kot enega izmed temeljnih fenomenov sodobnega življenja. Pri razpravljanju upoštevamo metodologijo, kakršna je prikazana v filozofiji Martina Heideggra. Prefiguracijo določene teorije spektakla nazadnje zasnujemo z razmislekom o prelomni kritiki kibernetike pri Gilbertu Simondonu Keywords: spektakel, čas, kibernetika, vizualizacija, fenomenologija, teorija medijev Publication status: Published Publication version: Version of Record Publication date: 23.07.2023 Year of publishing: 2023 Number of pages: str. 53-90 Numbering: Letn. 32, št. 124/125 PID: 20.500.12556/DiRROS-20610  UDC: 165.62:711.558 ISSN on article: 1318-3362 DOI: 10.32022/PHI32.2023.124-125.3  COBISS.SI-ID: 162068739  Publication date in DiRROS: 23.10.2024 Views: 27 Downloads: 7 Metadata:    Cite this work Plain text BibTeX EndNote XML EndNote/Refer RIS ABNT ACM Ref AMA APA Chicago 17th Author-Date Harvard IEEE ISO 690 MLA Vancouver : Copy citation

Share: Hover the mouse pointer over a document title to show the abstract or click on the title to get all document metadata.

Record is a part of a journal

Title:	Phainomena : [glasilo Fenomenološkega društva v Ljubljani
Shortened title:	Phainomena
Publisher:	Fenomenološko društvo [etc.], Fenomenološko društvo [etc.], Nova revija, Inštitut Nove revije - Zavod za humanistiko
ISSN:	1318-3362
COBISS.SI-ID:	29705216

Licences

License:	CC BY 4.0, Creative Commons Attribution 4.0 International
Link:	http://creativecommons.org/licenses/by/4.0/
Description:	This is the standard Creative Commons license that gives others maximum freedom to do what they want with the work as long as they credit the author.

Secondary language

Language:	English
Title:	Spectacle and Time in Contemporary Philosophy
Abstract:	Through historical and phenomenological analyses, the present paper attempts to centralize the research of the phenomenon of spectacle as a viable subject of contemporary philosophy. We study the notion of the spectacle upon the basis of the historical development of the modern comprehension of time not only as one of the central issues of contemporary philosophy, but also as a central concept for the understanding of contemporary science, culture, and society as a whole. Within contemporary continental philosophical tradition, the concept of time is closely connected with the notions of presence, perception, and mediation. The philosophical debate between Henri Bergson and Albert Einstein brought the ideas of spectacle and time into immediate connection as a part of the new conceptual framework of contemporary philosophy. It demonstrated, for the first time, that science holds an essential value for the construction of modern life. We follow further developments by outlining the philosophical and cybernetic framework for the establishment of a philosophical attitude towards spectacle as one of the fundamental phenomena of contemporaneity. The elaboration of the theme seeks to respect methodological determinations demonstrated in the philosophy of Martin Heidegger. The groundbreaking critique of cybernetics in Gilbert Simondon allows us, finally, to draft a specific prefiguration of a certain theory of spectacle.
Keywords:	spectacle, time, cybernetics, visualization, phenomenology, media theory

Back