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Title:The somaesthetics of heaviness and Hara in Zen Buddhist meditation
Authors:ID Ashton, Geoffrey (Author)
Files:URL URL - Source URL, visit https://doi.org/10.35469/poligrafi.2023.397
 
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MD5: 11B6DDD5F4F33F7E7A848A36F82154E9
 
Language:English
Typology:1.01 - Original Scientific Article
Organization:Logo ZRS Koper - Science and Research Centre Koper
Abstract:Breath is a grounding phenomenon present in many forms of Buddhist medi-tation. In traditional Buddhist meditations (including ānāpānasati and vipassanā), the practitioner observes the breath, surveys various physical and mental phenom-ena, and from there realizes that suffering (duḥkha) is not ultimately binding (and along the way, they may experience the nonduality of body and mind). Similarly, the seated meditation practice (zazen) deployed by Rinzai Zen begins with atten-tion to breath, refines one’s attention to psycho-physical sensations, and fosters a realization of mind-body unity that enables the practitioner to face duḥkha. But this form of Zen recasts the respiratory philosophy of early Buddhism in some important respects. This paper explores how these adaptations take place in terms of an explicitly somaesthetic orientation. Emphasizing the postural form of the body, the capacity to sense the pull of gravity, and the performance of breathing from the hara (lower belly), zazen seeks to awaken the somatic body by transform-ing the weight of suffering into nondual, vital energy.
Keywords:zazen, duḥkha, gravity, grief, somaesthetics, hara, breathing
Publication status:Published
Publication version:Version of Record
Publication date:20.12.2023
Year of publishing:2023
Number of pages:str. 143-172
Numbering:Letn. 28, št. 111/112
PID:20.500.12556/DiRROS-18929 New window
UDC:14:2
ISSN on article:1318-8828
DOI:10.35469/poligrafi.2023.397 New window
COBISS.SI-ID:195356163 New window
Copyright:The Authors
Publication date in DiRROS:14.05.2024
Views:389
Downloads:282
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Record is a part of a journal

Title:Poligrafi : revija za religiologijo, mitologijo in filozofijo
Shortened title:Poligrafi
Publisher:Nova revija, Društvo za primerjalno religiologijo, Nova revija, Društvo za primerjalno religiologijo, Univerza na Primorskem, Znanstveno-raziskovalno središče, Univerzitetna založba Annales, Društvo za primerjalno religiologijo, Znanstveno-raziskovalno središče, Annales ZRS, Društvo za primerjalno religiologijo
ISSN:1318-8828
COBISS.SI-ID:59336192 New window

Secondary language

Language:Slovenian
Title:Somaestetika teže in hare v zenbudistični meditaciji
Abstract:Dih je eden od temeljnih pojavov, prisoten v številnih oblikah budistične meditacije. Pri tradicionalnih budističnih meditacijah, vključno z anapanasati (ānāpānasati) in vipasano (vipassanā), meditant opazuje dih, spremlja različne te-lesne in duševne pojave in na podlagi tega spoznava, da trpljenje (duḥkha) ni ob-vezno (ob tem lahko izkusi tudi nedualnost telesa in duha). Podobno se sedeča meditativna praksa (zazen), ki jo je razvila šola rinzai, začne z osredotočanjem na dihanje, nato ostri pozornost za psihofizične zaznave in vodi do končnega spozna-nja o enotnosti duha in telesa, ki meditantu pomaga spoprijeti se z duḥkho. Vendar pa ta oblika zena v določenih pomembnih vidikih na novo podaja respiratorno filozofijo zgodnjega budizma. avtor v študiji raziskuje, kako do teh prilagoditev prihaja v smislu izrecno somaestetske usmeritve. S poudarkom na drži telesa, zmo-žnosti zaznavanja težnostnega privlaka in izvajanju dihanja iz hare (spodnjega dela trebuha) skuša zazen prebuditi somatsko telo tako, da težo trpljenja preoblikuje v nedualno, življenjsko energijo.
Keywords:zazen, duḥkha, teža, težnost, žalost, somaestetika, dihanje iz hare


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