Iskanje po repozitoriju

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Povzetek: This article investigates the phenomenon of poetic prayer as one that happens in the liminal space between the in-vocation of a close relationship with God and the provocation of versatile responses to God’s presence. The hermeneutic in-between of an experience of God—intimate, ecstatic, and absolutizing, but also unsettling, doubting, and desperate—engenders a genuine possibility to investigate the less obvious aspects of poetry as prayer, and to delve deeper into its complexities and subtleties. The analyzed poems by G. M. Hopkins, T. S. Eliot, and R. M. Rilke disclose the inner world of a human being who yearns for God, but also has the courage to question and listen to an inner voice that torments and tears asunder. A hermeneutic reading of poetry as prayer invites us to acknowledge that an authentic and close relationship with God goes beyond an equivocal and facile response and entails what is sidelined, destabilizing, or even threatening to the safe self. The hermeneutic examination of poetic prayer also inspires us to think of the human body as a legitimate and meaningful site of the encounter between the human and the divine.
Ključne besede: hermeneutics, poetic prayer, G. M. Hopkins, T. S. Eliot, R. M. Rilke
Objavljeno v DiRROS: 25.10.2024; Ogledov: 56; Prenosov: 21
Celotno besedilo (406,53 KB)

Povzetek: The article discusses the functioning of the notion of mood in various fields (philosophy, psychology, architecture, literary studies). In this context, the mood becomes a way of experiencing oneself in the world (referring primarily to Martin Heidegger’s concept). To be in a mood means—to be in the world, to experience the world, to try to understand it. To be in a mood is to feel your body and your mind in the world. The mood captured in this way allows a different reading of selected poems by Halina Poświatowska—the sensuality of this poetry can be understood as a phenomenological record of experiencing oneself in the world.
Ključne besede: mood, understanding, world, Martin Heidegger, Halina Poświatowska
Objavljeno v DiRROS: 25.10.2024; Ogledov: 71; Prenosov: 20
Celotno besedilo (380,29 KB)

Povzetek: Numerous studies across disciplines discuss the complex relationship between human facial features and personal identity in psychosocial dynamics. Most of these researches follow the common definition of the face as the forepart of the head. Kobo Abe’s The Face of Another (Tanin no kao) is a Japanese novel that explores the face’s complexity in great depth and contests this common notion of the face. First, this novel shows that the search for meaning behind the face’s physical properties is lacerated by discords of individuality/abstraction and identity/pretense. These straining pairs (which I call personambiguity) exemplify Lévinas’s point that the face’s meaning outweighs its phenomenality. Second, this novel presents that the constraint and primacy of responsibility transcend the face’s sensible qualities. My reading holds that the face is an abyssal surface, in which the other manifests itself against our appropriative idea of otherness and summons us to irrecusable responsibility.
Ključne besede: Abe, ethics, face, Lévinas, phenomenology
Objavljeno v DiRROS: 25.10.2024; Ogledov: 77; Prenosov: 20
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Povzetek: Within this article, we discuss the author’s influential relationship with the literary text and the role of literary critic in the tendencies to replace the first. By dealing, first, with the romantic spirit, then with the progressive concept of modernity, and, finally, with the denying concepts of post-modernity, we argue for the idea that the literary discourse includes the author as a normative and intentional principle to preserve the memory and knowledge, which literature offers to us. The tendency of the author’s denial has resulted in a tendency to deny the tradition, literary canon, and has caused the absurdity of an excess in the necessary methodological apparatus, an excess, which has led to the diminishing of the reading of literature, fading of its social status, and harming the utilitarian recognition of authors who form the dignity and identity of Western culture. We attempt to explain that canonical literary texts should be recognized through posterior criticism, their placing in historical time, and their reflections on our own time, in which they obtain new meanings, while preserving the stabilized meanings of iconic authors.
Ključne besede: philosophy of literature, hermeneutics, tradition, timeless present, canon, utilitarian ethics
Objavljeno v DiRROS: 25.10.2024; Ogledov: 64; Prenosov: 20
Celotno besedilo (353,81 KB)

Povzetek: This text is an attempt to collect traces of readings on the hermeneutics of the city as a space dense with meanings that require discernment in a completely unusual phenomenology, and not just the topography of the city. The modern humanities have greatly contributed to an understanding of and searching for discourse of such places/non-places, passages, alleys, and labyrinths, in which the body each time feels different and forces a different description than a neutral one or an indifferent one. It is not without significance that we have long known that sometimes the “genius loci,” as well as our fear, alienation, or, on the contrary, domestication, and captivation truly reign. This article is a survey of my readings and fascinations that arose thanks to them. Walter Benjamin’s reflections on passages are the basis of my discourse. I also use the accomplishments of outstanding Polish humanists, creatively fitting into this perspective.
Ključne besede: reading, passages, flâneur, labyrinth, city, body, text, episteme
Objavljeno v DiRROS: 25.10.2024; Ogledov: 49; Prenosov: 15
Celotno besedilo (434,78 KB)