20.500.12556/DiRROS-25216 On the Perception of the Radio Play O zaznavanju radijske igre Blaustein explores the phenomenon of listening to the radio play. The idea put forth by the author is that the radio play engages perception, treating the latter in a broad sense. Perception is not necessarily restricted to seeing; rather, it is understood as being cross-modal, as involving different senses. The main sense involved in the case of radio plays is hearing, which enables one to listen to the radio. Radio listeners are drawn into radio plays as media of hearing. Instead of vision, listeners engage their “acousion,” a term coined by Blaustein to capture the perceptual distinctness of hearing; acousion is the auditive perception of radio plays. Listening to a radio play is a lived experience or a psychic phenomenon, precisely due to the activeness of acousion. Listeners do not only passively perceive or hear auditive data. They also engage their imaginative faculties, presenting to themselves, mentally, the world of the action; by so doing, listeners enable the act of listening. According to Blaustein, presentations, even imaginative ones, are basic. By listening to a radio play, the listener imaginatively presents the world of the action to themselves, as if they were watching a theater play. However, going beyond the realm of presentations, other factors are examined, e.g., the listener’s focus is turned into the world represented—the world within—, which is given to them via auditive data and dialogue. Blaustein obravnava fenomen poslušanja radijske igre. Predstavi idejo, da radijska igra zadeva zaznavanje v širokem smislu. Zaznavanje se namreč ne omejuje samo na gledanje, temveč je multimodalno, vključuje različne čute. Poglavitni čut v primeru radijske igre je sluh, ki nam omogoča, da prisluhnemo radiu. Poslušalce radijske igre pritegnejo kot mediji sluha. Namesto vida je nagovorjena poslušalčeva »akuzija«; Blaustein têrmin vpelje zato, da bi opredelil zaznavano posebnost sluha: akuzija je avditivna zaznava radijske igre. Poslušanje radijske igre je izkustvo oziroma psihični fenomen natanko zaradi aktivnosti akuzije. Ne gre za to, da bi poslušalci samo pasivno sprejemali avditivne podatke. Spodbujene so tudi njihove imaginativne sposobnosti; sami sebi mentalno predstavljajo svet dogajanja in tako omogočajo dejanje poslušanja. Po Blausteinu so namreč predstave, tudi imaginativne, temeljnega pomena. Ko posluša radijsko igro, si poslušalec imaginativno predstavlja svet dogajanja, kakor da bi gledal gledališko predstavo. Onkraj okrožja predstav Blaustein obravnava tudi druge dejavnike, npr.: poslušalec se osredotoča na predstavljeni svet – svet znotraj igre –, ki se mu daje s pomočjo avditivnih podatkov in dialogov. perception hearing listening aesthetic experience radio play imagination zaznavanje sluh poslušanje estetsko izkustvo radijska igra domišljija true false true Angleški jezik Slovenski jezik Neznano 2026-01-14 03:52:35 2026-01-19 11:41:55 2026-02-17 17:21:45 0000-00-00 00:00:00 2025 0 0 str. 397-467 št. 134/135 Letn. 34 2025 0000-00-00 Zaloznikova Objavljeno NiDoloceno 0000-00-00 0000-00-00 2025-12-23 159.9:1 1318-3362 264579587 https://www.phainomena.com/wp-content/uploads/2025/12/19_E-PHI_134-135_Blaustein-9.pdf 1 15bc8769-f0f4-11f0-94a7-001a4af901a5 https://dirros.openscience.si/Dokument.php?lang=slv&id=38043 19_E-PHI_134-135_Blaustein_9.pdf 19_E-PHI_134-135_Blaustein_9.pdf 1 6EB2EA2AA4BA21EF3F6AD34EDDD233A6 fa734bb5dd3c1411d12265b7f6c5330496b512cf77aac6e674e52a65c891ff2e d56c805b-08dd-11f1-bcbc-001a4af901a5 https://dirros.openscience.si/Dokument.php?lang=slv&id=40404 Inštitut Nove revije, zavod za humanistiko 0 0 0