20.500.12556/DiRROS-25213 Review of Ingarden’s The Literary Work of Art Ocena Ingardnovega dela Literarna umetnina The translation presents Blaustein’s examination of Ingarden’s ontological theory of literary works as developed in Das literarische Kunstwerk (1931). Literary works are analyzed as four-strata structures comprising linguistic sound formations, meaning units, represented objects, and schematized aspects. They are characterized as purely intentional creations with non-independent beings, founded on ideal concepts and subjective operations. The review examines how readers achieve an understanding of literary works and gain access to their ontological foundations. Blaustein discusses epistemological concerns about the accessibility of ideal concepts to readers and addresses the multiplication of metaphysical entities. An alternative approach based on linguistic directives and sentence systems is presented, in order to preserve intersubjective identity without metaphysical commitments. The study discusses Ingarden’s approach to literary theory, particularly with respect to the multi-stratal structure of literary works, and examines the underlying ontological assumptions. Blaustein ocenjuje publikaciji spod peresa dveh predstavnikov lvovsko-varšavske šole: O pomenu izrazov (1931) Kazimierza Ajdukiewicza in Gnoseologija: Znanstveni pristop k teoriji vednosti (1929) Tadeusza Kotarbińskega. Prikaz Ajdukiewiczevega dela se osredotoča na semantično teorijo, ki jo pisec razvija s pomočjo razgrnitve motivacijskih odnosov med stavki, jezikovnih smernic in predpostavljenih substitucijskih odnosov. Blausteinova analiza zadeva razlikovanje med verbalno in intuitivno izpeljavo, disponiranost glede jezika in definicijo sinonimije na podlagi predpostavljene substitutivnosti. Pri obravnavi dela Kotarbińskega Blaustein analizira integracijo reistične ontologije z epistemološkim realizmom na področjih semantične teorije, epistemologije, formalne logike in znanstvene metodologije. Oceni se dotikata tako teoretskih prispevkov kot metodoloških pristopov obeh avtorjev. Obenem identificirata določene omejitve glede metafizičnih domnev in glede uporabnosti onkraj formalnih logičnih sistemov. work of art literary work ideal concepts multi-stratal four-strata theory umetnina literarno delo idealna pojmovanja večplastnost teorija štirih plasti true false true Angleški jezik Slovenski jezik Neznano 2026-01-14 03:52:22 2026-01-19 11:33:51 2026-02-17 17:24:31 0000-00-00 00:00:00 2025 0 0 str. 355-363 št. 134/135 Letn. 34 2025 0000-00-00 Zaloznikova Objavljeno NiDoloceno 0000-00-00 0000-00-00 2025-12-23 801.73 1318-3362 264549123 https://www.phainomena.com/wp-content/uploads/2025/12/15_E-PHI_134-135_Blaustein-5.pdf 1 0d6911c8-f0f4-11f0-94a7-001a4af901a5 https://dirros.openscience.si/Dokument.php?lang=slv&id=38040 15_E-PHI_134-135_Blaustein_5.pdf 15_E-PHI_134-135_Blaustein_5.pdf 1 8E05D7094EB1E2A030F539EB2B64581A 9b1cdc52745fea696a8adc49f173a2ad10931a99ebc4c531078c9c847f54e698 0ddda7ae-08dd-11f1-bcbc-001a4af901a5 https://dirros.openscience.si/Dokument.php?lang=slv&id=40400 Inštitut Nove revije, zavod za humanistiko 0 0 0