Music and the gendered image in Handel’s La Bellezza ravveduta nel trionfo del Tempo e del Disinganno (1707), its later reworkings and contemporary stagingsĆurković, Ivan (Avtor) George Frideric HandeloratorioemblemtheatreIl trionfo del Tempo e del DisingannoGeorge Frideric Handel’s oratorio La Bellezza ravveduta (1707) and its two later reworkings, Il trionfo del Tempo e della Verità (1737) and The Triumph of Time and Truth (1757), differ in musical content and in how the allegorical characters are coded in terms of gender. A comparative analysis showcases their wide interpretative range in selected twenty-first-century stagings.20252026-02-15 12:55:57Neznano27603UDK: 783.3:305:929Händel G. F.ISSN pri članku: 1854-3405DOI: 10.3986/dmd21.1.07COBISS_ID: 268483075slImetniki avtorskih pravic na prispevkih so avtorji