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<metadata xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dc="http://purl.org/dc/elements/1.1/"><dc:title>Schubert’s mise-en-abîme</dc:title><dc:creator>Zeiher,	Cindy	(Avtor)
	</dc:creator><dc:subject>Joan Copjec</dc:subject><dc:subject>desire</dc:subject><dc:subject>Jacques Lacan</dc:subject><dc:subject>music</dc:subject><dc:subject>Franz Schubert</dc:subject><dc:description>In honor of the thirtieth anniversary of Joan Copjec’s important and influential text, Read My Desire: Lacan Against the Historicists, this essay explores how the psychoanalytic conceptualization of desire operates musically as much as linguistically. If the unconscious is structured like a language, then music is structured like a desire for a language to be already spoken for. Franz Schubert’s evocative lieder literally speak about music’s capacity to capture and tarry with desire as a force always to be reckoned with.</dc:description><dc:date>2025</dc:date><dc:date>2026-02-07 11:45:46</dc:date><dc:type>Neznano</dc:type><dc:identifier>27440</dc:identifier><dc:identifier>UDK: 159.964.26:78</dc:identifier><dc:identifier>ISSN pri članku: 0353-4510</dc:identifier><dc:identifier>DOI: 10.3986/fv.46.2.07</dc:identifier><dc:identifier>COBISS_ID: 266679811</dc:identifier><dc:language>sl</dc:language><dc:rights>Imetniki avtorskih pravic na prispevkih so avtorji</dc:rights></metadata>
