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<metadata xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dc="http://purl.org/dc/elements/1.1/"><dc:title>Albanian hidden heritage in Slovenia: some notes on music-making in between the centre and periphery</dc:title><dc:creator>Bartulović,	Alenka	(Avtor)
	</dc:creator><dc:creator>Bejtullahu,	Alma	(Avtor)
	</dc:creator><dc:subject>Albanians in Slovenia</dc:subject><dc:subject>Albanian music</dc:subject><dc:subject>hidden heritage</dc:subject><dc:subject>marginalisation</dc:subject><dc:subject>Slovenia</dc:subject><dc:subject>Yugoslavia</dc:subject><dc:description>Focusing on Albanian communities’ overlooked musical heritage in post-Yugoslav Slovenia, this paper analyses how and why the domi-nant framing of Albanians has reinforced the assumption of the absence of the Albanian heritage. By comparing central and peripheral settings in examining the ambivalence towards this heritage in Kočevje and the recent process of heritagisation in Ljubljana, we challenge the notion that minority cultural recognition occurs uniformly across national space.</dc:description><dc:date>2025</dc:date><dc:date>2026-01-21 16:33:28</dc:date><dc:type>Neznano</dc:type><dc:identifier>25510</dc:identifier><dc:identifier>UDK: 78:39(497.4)</dc:identifier><dc:identifier>ISSN pri članku: 0352-0447</dc:identifier><dc:identifier>DOI: 10.3986/Traditio2025540306</dc:identifier><dc:identifier>COBISS_ID: 263636739</dc:identifier><dc:language>sl</dc:language><dc:rights>Imetniki avtorskih pravic na prispevkih so avtorji</dc:rights></metadata>
