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<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dc="http://purl.org/dc/elements/1.1/"><rdf:Description rdf:about="https://dirros.openscience.si/IzpisGradiva.php?id=30899"><dc:title>The Songs of the Scaffold</dc:title><dc:creator>Llinares Planells,	Alejandro	(Avtor)
	</dc:creator><dc:subject>execution ballads</dc:subject><dc:subject>Catalonia</dc:subject><dc:subject>banditry</dc:subject><dc:subject>witchcraft</dc:subject><dc:subject>death penalty</dc:subject><dc:subject>popular print</dc:subject><dc:subject>early modern history</dc:subject><dc:description>This paper analyzes songs of the scaffold in Catalonia in the sixteenth and seventeenth centuries, a hitherto unknown subject that has been paid little attention to date. On the one hand, I will analyze their creation and dissemination using different documentary and literary evidences to demonstrate that they were highly demanded texts composed when an execution was going to be held. On the other hand, I focus on the propagandistic role that these printed texts had, using a microhistorical analysis of two examples: the famous bandit Antoni Roca (1546) and the Morisco witch hunter Joan Malet (1549).</dc:description><dc:date>2023</dc:date><dc:date>2026-07-08 11:57:28</dc:date><dc:type>Delo ni kategorizirano</dc:type><dc:identifier>30899</dc:identifier><dc:language>sl</dc:language><dc:rights>Imetniki avtorskih pravic na prispevkih so avtorji. CC BY-NC 4.0</dc:rights></rdf:Description></rdf:RDF>