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<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dc="http://purl.org/dc/elements/1.1/"><rdf:Description rdf:about="https://dirros.openscience.si/IzpisGradiva.php?id=27600"><dc:title>A national musical heroine at the margins of concert life</dc:title><dc:creator>Kričevcov Maričić,	Nataša	(Avtor)
	</dc:creator><dc:subject>Dora Pejačević</dc:subject><dc:subject>glasbena produkcija žensk</dc:subject><dc:subject>hrvaška glasbena kritika</dc:subject><dc:subject>hrvaška glasbena historiografija</dc:subject><dc:subject>zgodovina recepcije</dc:subject><dc:description>This article explores the political context that has been overlooked in the reception of Dora Pejačević’s oeuvre. It argues that the historical and contemporary marginalization of her work reflects broader patterns in Croatian musical historiography that have excluded women’s musical production from concert stages and scholarly discourse.</dc:description><dc:date>2025</dc:date><dc:date>2026-02-15 11:54:31</dc:date><dc:type>Neznano</dc:type><dc:identifier>27600</dc:identifier><dc:language>sl</dc:language><dc:rights>Imetniki avtorskih pravic na prispevkih so avtorji</dc:rights></rdf:Description></rdf:RDF>
