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<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dc="http://purl.org/dc/elements/1.1/"><rdf:Description rdf:about="https://dirros.openscience.si/IzpisGradiva.php?id=27440"><dc:title>Schubert’s mise-en-abîme</dc:title><dc:creator>Zeiher,	Cindy	(Avtor)
	</dc:creator><dc:subject>Joan Copjec</dc:subject><dc:subject>desire</dc:subject><dc:subject>Jacques Lacan</dc:subject><dc:subject>music</dc:subject><dc:subject>Franz Schubert</dc:subject><dc:description>In honor of the thirtieth anniversary of Joan Copjec’s important and influential text, Read My Desire: Lacan Against the Historicists, this essay explores how the psychoanalytic conceptualization of desire operates musically as much as linguistically. If the unconscious is structured like a language, then music is structured like a desire for a language to be already spoken for. Franz Schubert’s evocative lieder literally speak about music’s capacity to capture and tarry with desire as a force always to be reckoned with.</dc:description><dc:date>2025</dc:date><dc:date>2026-02-07 11:45:46</dc:date><dc:type>Neznano</dc:type><dc:identifier>27440</dc:identifier><dc:language>sl</dc:language><dc:rights>Imetniki avtorskih pravic na prispevkih so avtorji</dc:rights></rdf:Description></rdf:RDF>