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<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dc="http://purl.org/dc/elements/1.1/"><rdf:Description rdf:about="https://dirros.openscience.si/IzpisGradiva.php?id=20665"><dc:title>Mood as Interpretive Category</dc:title><dc:creator>Przymuszała,	Beata	(Avtor)
	</dc:creator><dc:subject>mood</dc:subject><dc:subject>understanding</dc:subject><dc:subject>world</dc:subject><dc:subject>Martin Heidegger</dc:subject><dc:subject>Halina Poświatowska</dc:subject><dc:description>The article discusses the functioning of the notion of mood in various fields (philosophy, psychology, architecture, literary studies). In this context, the mood becomes a way of experiencing oneself in the world (referring primarily to Martin Heidegger’s concept). To be in a mood means—to be in the world, to experience the world, to try to understand it. To be in a mood is to feel your body and your mind in the world. The mood captured in this way allows a different reading of selected poems by Halina Poświatowska—the sensuality of this poetry can be understood as a phenomenological record of experiencing oneself in the world.</dc:description><dc:date>2022</dc:date><dc:date>2024-10-25 12:17:41</dc:date><dc:type>Neznano</dc:type><dc:identifier>20665</dc:identifier><dc:language>sl</dc:language></rdf:Description></rdf:RDF>
